Word Flower-Literature Magazine Issue 74-Eyewitness

The 74th edition of "Word Flower" was transformed into a "plus version", and officially launched a year-long exploration of six human situations. Book A as a special book, this issue aims to go deep into the era when everyone seems to be a witness, to ask who the witness is, and how and what it means. We interviewed Xie Zhide, a well-known photographer, to see how his experience of turning sightings into moments of light and shadow over the years, and to reshape the event with a conscious lens, weaving into thoughts. If the sightings are epicenters, ripples are narratives. National machinery and the mass media are reconstructing events and creating eyewitnesses. Many experienced events are also resisting in lowercase. Li Lifeng looks back at the witnessing history of media ecology and Li Jizhong's evidence. The processing makes the narrative order naked for a while, while Li Weiyi and Tang Rui's novels permeate the diverse horizons and carry the subtle texture of social events. Eyewitnesses come from the scene and are constantly being generated, and even silence will always become a historical role in the reality. Zhang Lijun visited the historical moments of Mei Lanfang, Eisenstein and others, Zhu Shaojie and Fan Shanbiao reflected on the ethics of witness in prose. Li Weiting questioned the possibility of historical writing through two novels, and what were we doing before Zhang Shilie's painting A quiet box Witness status? After the "murmur" and "matte" merge into Book B, more new sparks and more ideas crystallize. First let's listen carefully. Dong Qizhang and Huang Nianxin talk about Zhong Lingling's new work's intellectuality, pornography and love. We also invite the authors who contributed to the "Quige" field to share their work and exchange their writing experiences and ideas. New knowledge column "Hong Kong Literature Open Quotation Marks" set sail to open the journey of magical realism and writers from the south. For readers, the "Four Hands Together" for the dialogue. First of all, please come to Li Weiting, Cai Qianyi, Huang Yuying and Yang Yan. "Name" talks about resistance and all kinds of agitation and melancholy; "Photo" redraws the figure and spirit for literary characters. What does Xixi's "cold" heroine look like in Zeng Huiyi's pen? There is also "Diagonal Practice" written by Yang Tianshuai and Lin Yuehui as "Tunnel", and "Exchange Flow" by Li Rikang, Mu Yu and Hong Haoxian as they "walk around" in "fluid mechanics". The literary landscape continues to prolong.