Salzburg suburban beauty series of six (sold together) - Richter - Prints and hanging paintings

[Figure 1 - Figure 6 are the original pictures of the six landscapes in the etching [Salzburg Suburbs]] [Picture 7 is the original cover of the [Salzburg Suburbs] (VI Bll. Malerische Ansichten aus den Umgebungen von Salzburg) series] [Figure 8 is a portrait of Ludwig Richter (1836) by Wilhelm Alexander von Kügelgen (1802 ~ 25)] Author: Ludwig Richter (1803 – 1884) Name: [Salzburg Suburbs Scenery] (VI Bll. Malerische Ansichten aus den Umgebungen von Salzburg) series of six paintings. 1. [Tennen Mountains] (Das Tännengebirge bei Salzburg); 2. [In der Ramsau bei Salzburg]; 3. [Aichen area] (Gegend bei Aichen bei Salznurg); 4. [Der König-See gegen den Untersberg bei Salzburg from King Lake] (Der König-See gegen den Untersberg bei Salzburg); 5. [Der Watzmann bei Salzburg]; 6. [Lattenberg bei Salzburg] (Der Lattenberg bei Salzburg). Signed: Leipzig, Verlag von CG Börner. Technique: Etching/Radirugen. Year: 1830. Size: Approx. 13 x 18 cm (screen). 22.5 x 26 cm (including cardboard). Remarks: Including double-layer cardboard mounting (without frame/six combined) No.: P K-065 Introduction of works: [Beautiful view of the suburbs of Salzburg] The six etchings can be said to be the foundational works of the style of Adrian Ludwig Richter (1803 ~ 1884), an important late romantic painter in Germany. Richter also became a household artist in Germany at the time due to his achievements in book illustration. Richter was born in Dresden, the son of a direct engraver, so he taught his son after he had completed his basic education. After that, he obtained a scholarship to enter the Drestown Academy of Fine Arts to start his own artistic path. From 1823 to 1826, he came to Rome to further his studies under the sponsorship of the Saxon publisher Johann Christoph Arnold (1763-1847), where he not only met many German artists, but also found his place of faith here. His landscape paintings not only transform the ideal landscape of romanticism into a harmonious state between man and nature, but also inject religious belief into it. After returning to Germany, he first taught at the painting school in Meißen (1828-1835). In 1836 he succeeded his father as a teacher of landscape painting at the Academy of Fine Arts in Dresden. Also during this period, Richter began to make woodcut illustrations for books, and gradually became popular, completing the illustrations of more than 150 books. In 1859 he received an honorary doctorate from the University of Leipzig. In his later years, due to eye disease, Richter was unable to continue painting and left his teaching post. When he died in 1884, he was buried in his hometown with a state funeral. In 1823, when Richter went to Rome for further studies, he passed through Salzburg, where he spent his summers. The beauty of the place fascinated him, and he pondered the wonders of God's creation. In 1830, when the Leipzig dealer Carl Gustav Börner (1790 ~ 1855) commissioned him to paint a series of landscape prints, he moved the previous summer in the Salzburg region into pictures. In these six etchings, the lofty artistic conception pursued by the previous romanticism has been transformed into a pastoral landscape, with the forces of nature relegated to the background and replaced by family interactions, busy farming moments, and daily beliefs. At the same time, the countryside has been romanticized again, preserved in its innocence, uncontaminated by modern progress, residents enjoying their original traditions, customs and customs untouched, and their attitudes reverent as a matter of course. In the face of the new social changes at that time, Richter's pictures can be said to be an unspeakable desire. His brushes convey a peaceful utopian world. Nature is not a symbol of faith, but a spiritual space in which faith can be vividly manifested. In these pictures, we can see the religious atmosphere pervading it, the roadside shrines have become a sign of busy farming, some people are praying under the big trees, and wandering monks pray for the children. We can also find a kind of life diary in it. The old man talks about ancient times, the husband drives the donkey to deliver the milled grain, and the boatman delivers the hay. All these daily life are accompanied by a harmonious family atmosphere. Richter's Salzburg Landscape Suite, joyful and carefree, these rural details, so light and charming, is a far cry from the serious and highly theoretical approach to the search for the mysteries of the soul in the early days of Romanticism. In [Salzburg Suburbs Scenery], we can see Richter later, rural traditions, folk customs, fairy tales and legends have become the symbols of his works, and they are also fully displayed in his various book illustrations. *If you have any details, please send a message to contact the designer *The main products of this design hall are Western antiques, old jewelry, and old European original prints. Old products will inevitably have traces of historical years, but they are cleverly placed according to personal taste, and they can promote an extraordinary life. Taste and aesthetic concept. However, if you still mind, please consider carefully before placing an order.