The blue glaze evokes the sea, the white porcelain akin to snow. These two tea bowls, each with its own distinct character, harmonize to compose a vast and tranquil lyric.
One bowl is round and well-proportioned, with blue glaze sweeping across its body like verdant distant mountains, its scattered golden flecks resembling scattered fishing lights on a river. The other has an irregular rim, lending it a lively, natural feel. Where the blue glaze flows, it mimics the ebb and flow of tides against the shore, its variations in depth and intensity conveying an untold richness. Both bowls rest on a base of simple, elegant white glaze, with the blue glaze artfully applied. At times it deepens like the profound blue of the ocean, at others it lightens like distant peaks against a clear sky. Touches of golden-brown kiln-fired variation add a gentle warmth of time.
The understated beauty of hand-pinching imbues each bowl with subtle undulations and irregularities. It is precisely this imperfection that crafts a unique aesthetic. Held in the palm, one can feel the warm texture of the clay and the deep resonance of the glaze, as if cradling a small world. Whether used individually or shared by two, they offer a glimpse into the serendipitous and inevitable nature of creation.
As tea fills the bowl, blue and white intertwine, like the shifting patterns of light and clouds in the sky. Ideal for quiet contemplation over a solo drink, or for two to share, reminiscing about simpler times. Like people, each vessel possesses its own spirit, yet they can become kindred souls.
This pair of bowls does not strive for perfect symmetry, but for a shared essence, awaiting those who appreciate the beauty found in imperfection.
About the Artist
Master Ceramicist Liang Shih-Chang was born in Tainan in 1957. At the age of 26, he apprenticed under Master Weng Kuo-Chen in Yingge, learning the art of wheel throwing, thus embarking on his journey into the world of ceramics. He has since held numerous ceramic exhibitions. His research into glazes is both deep and comprehensive, and he wields this knowledge with mastery, repeatedly pushing his creative boundaries in the realm of glazed works to produce truly remarkable pieces.
In 1999, feeling creatively stagnant and uncertain of his path forward, Mr. Liang Shih-Chang decisively put aside his artistic endeavors to focus on jade appraisal. It was not until 2021 that he resolved to return to ceramic creation. He spent two years familiarizing himself with glazes, producing hundreds of samples in pursuit of a distinct style.
Mr. Liang Shih-Chang's current works primarily feature glaze painting. He draws inspiration from nature, adhering to a principle of using no more than two glazes per piece, distinguishing between artistic and ceramic glazes. During the creation process, he first selects glazes that can best express the theme. He then utilizes the properties of the glaze – its thickness, layering, isolation, carving, marbling, or staining – to render the envisioned landscape. Simple brushstrokes are added in appropriate locations to enhance the artistic mood, before the piece is fired.
In addition to glazes, materials for painting include the cracked textures of the clay body, marbled patterns, as well as natural elements like leaves and minerals.
Regarding his return to ceramic artistry, Mr. Liang Shih-Chang finds inspiration in nature and expresses his artistic vision through glazes and clay. Ideas emerge like bamboo shoots after a spring rain. "To be able to convey artistic intent using my skilled ceramic techniques, glaze knowledge, and painting expertise fills me with immense joy and satisfaction. I hope this new beginning will establish my own unique ceramic style."
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- No.42,668 - เครื่องใช้ในครัว | No.7,116 - ถ้วย
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- Dimensions: Approximately 8.5-9 cm in diameter Height: Approximately 6.3-6.5 cm Capacity: Approximately 230-250 cc Fired at 1235°C. Glaze is lead-free and microwave-safe.
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