Word Flower Phase 85-Ruins

แปลอัตโนมัติ (ภาษาเดิม: จีน-ตัวเต็ม)
214฿
  • สินค้าชิ้นนี้ขายหมดแล้ว แต่คุณสามารถกดปุ่ม "รอคิว" และเราจะแจ้งเตือนคุณทันทีเมื่อมีสินค้าพร้อมขาย
Word Flower Phase 85-Ruins - หนังสือซีน - กระดาษ หลากหลายสี

รายละเอียดสินค้า

[Basic stocking days are 7 to 14 working days] "As long as one person passes by, the place is not desolate. Desolate is the loneliness of the person, a place where no one has ever passed. ——Valejo <No one lives in that house...> The fifth part of "My City is Others", foreseeing future ruin before even greater destruction. Highlights include: Thematic "Ruins" • A nightmare portrayal of the African-French poet Aimé Césaire in Europe that has experienced the two wars, like being in a pile of rubble again, "in the empty sluice" is a vision composed of sharp imagination like the continuation of Eliot's "The Wasteland". • Photographer Michael Lundgren, who is good at taking pictures of wild landforms, uses images as a medium to allow viewers to rethink their position in broken time and space. • Interview with senior art director Zhang Shihong, Wen Nianzhong and director Zheng Baorui to talk about how Hong Kong-style ruins and film art are mutually generated to build the depth between entities and images. • "Mutual" includes Zheng Weiling, Han Qichou, Murata, Deng Guangshen and Yuan Yazhi traveling through the dark side of time with unique text and images. • Yu Wanlan's cyborg "0", resurrected from the dead, wanders in the endless abyss, lost out of time, and never comes back. • Liu Kexiang went back to Lingnan University to visit the Gang of Five, the protagonist of "Cats in the Tiger Land", describing how wild cats survive. Column and creation • "Four Hands" Jin Qiqi, Mu Shi, Li Weiting, and Yang Zhuofeng talk about the beliefs and gaps in left-wing literature. • "Book Review" is led by Deng Zhengjian, Zha Yinglan, and Chen Jinhui: Talking about "Tears of Eros" and the whole set of erotic discourses, in the very important photos of Bataille's life in the late Qing Dynasty, it presents the divine ecstasy and extreme Fear of the same; artist and theoretician Hito Steyerl "destroyed the museum" in the collection "Tax-Free Art", in-depth the system, revealing that tax-free art should not be "No Responsibility Art"; Hualun Heyi starred in a gloomy escape in "Among the Criminal Affairs Office" The fetishist is imprisoned in French dreams and judged that reality is useless. • Zhuo Yunzhi and Mi Yi discussed the story. Pakistan's lame sand and the picky and noble gentleman met in Sham Shui Po. • Huang Ping wrote the quarantine apocalypse in the epidemic in a playful tone. • More exciting content: Kunnan column, Deng Guangshen painted Shen Fuyu's "Craftsman", a poem written by Hidden for Cat Sweet Kueh, two poems by Ukrainian writer Ihor Pavlyuk, Liang Lizi The daily sports series continues to focus on small people, and relatives wrestle with each other in a gloomy and heavy life... Mankind replied with the repeated passing and freezing of time, creating the most mammoth mirage, building a mammoth, and destroying it. ——Yu Wanlan "Cave of Forgotten Dreams"" -------------------------------------------------- ------- 【Word Flower 85-Ruins】 -------------------------------------------------- ---------- "Boiled Fish" published the literary magazine "Zi Hua" in 2006, which promoted Hong Kong literature to Hong Kong, Taiwan, and Hong Kong, and successfully attracted the attention of young readers to Hong Kong literature and creative trends. "Zi Hua" is the most representative literary magazine with the highest readership in Hong Kong in the past 20 years. It includes important writers from China, Hong Kong and Taiwan, such as Li Oufan, Yesi, Zhang Dachun, Liang Wendao, etc. It is also issued to Taiwan and Mainland China. "Boiled Fish" also sponsors Hong Kong writers to hold lectures and activities at the Taipei Book Fair every year, and conducts a literary translation project with international literary organizations, which not only introduces emerging foreign writers to Hong Kong readers, but also promotes Hong Kong literary works to the international level.

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