Muguitu Landscape cattle and sheep-prints and hangings

【Picture 1-Picture 4 are the original pictures】 [Figure 5-Figure 7 are schematic diagrams] Author: Johann Christian Klengel (1751/1824) Name: [Landscape cattle and sheep] Signed: Klengel f. 17775. Technique: etching. Year: 1775. Size: 16.3 x 19.7 cm (picture). 20 x 25 cm (including jammed paper). Remarks: with cardboard mounting (without frame) Number: P K-057 Introduction of works: Johann Christian Klengel (Johann Christian Klengel, 1751/1824) was born in a small village in Saxony, Germany. His father was a winemaker and farmer, and John was his only surviving son. In order to expand the child's horizons, when the child was twelve years old, he was sent to the local capital of Dresden to receive apprenticeship training in book binding. Soon after, Christian Ludwig von Hagedorn (1712/1780), the minister in charge of the Saxon royal collection and the operation of the Capital Art School, noticed the child's talent for drawing and allowed him to study at the New Academy of Fine Arts in Dresden. The teachers here come from all over Europe, providing Krengel with first-hand art information. In 1768, the popular Saxon royal court painter Christian Wilhelm Ernst Dietrich (1712/1774) invited Krengel to stay in his house until the painter passed away six years later. It can be said that Krengel coincided with the critical era of the development of German landscape painting. In Saxony, landscape painting gradually got rid of the status of Xiaojiabiyu and entered a stage of opening and closing, and Krengel's own career has also witnessed this history. In 1777, he became a member of his Academy of Fine Arts. In 1800, he became the first associate professor in Germany to teach landscape painting. In 1816, he became a full-time professor in this field. His fame is not only in the Saxony region. In 1786, he became an honorary member of the Berlin Academy of Fine Arts. He was also called "the greatest landscape painter of our contemporary era". Pioneer of Slowism landscape painting. In the creation of prints, he is also very careful to establish a system that can reflect the theme of his creation, from the pastoral scenery, the light of southern Italy, to the simple life of his hometown. From 1770 to 1822, he created 461 prints, most of which were etchings, and also systematically produced related prints series, such as the "Studium Juventutis" from 1771 to 1801 and 1810. Lord's series. Our engraving [The Return of Pasture] comes from his early [Youth Works] series. Here you can see the influence and shadow of his mentor Dietrich, and it also reflects the landscape paintings of Dresden Academy of Fine Arts at that time. The performance tendency. In this idyllic work, Krengel captures the light of the dusk, and the dim scenery forms a silhouette of silhouette in his strong etching lines. In the lower left corner of the screen, a family should be driving their donkeys and sheep on their way home. On the hillside on the right, a shepherd boy guards his two cows who are still at ease in the evening light. The landscape is surrounded by open plains on one side and gradually elevated landforms on the other. It is reminiscent of the two landforms in Dutch landscape paintings: the endless lowlands in the north and the rolling hills in the south. A few isolated trees, in such a scene, have become attractive protagonists. The setting sun fell from the upper right, and it can be seen that Krengel cares about light, and it has become the source of fascinating in his later paintings. *If you have any detailed questions, please send an email to contact the designer *The merchandisers of this design hall are mainly Western antiques, old jewellery and home accessories, and old European original prints. Old products will inevitably have traces of history, but they are cleverly arranged according to personal tastes and each has its own place, which can promote an extraordinary life Taste and aesthetics. However, those who mind, please consider carefully before placing an order.