Palo Sola - John Rynter - lithograph

【Picture 1-Picture 2 is the original picture】 [Figure 3 - Portrait of John Linet, Spanish painter José de Madrazo y Agudo (1781~1859), 1812. 】 Author: Johann Christian Reinhart (1761~1847) Name: [Palazzola], from: [Malerisch radirte Prospecte aus Italien]. Attribution: C. Reinhart fec. Roma. Technique: Etching. Year: 1792 Size: 25 x 35.5 cm (screen). 36 x 47.5 cm (including cardboard). Remarks: with double-layer cardboard mounting (without frame) No.: P K-064-4 about the author: The German painter and printmaker Johann Christian Reinhart (1761-1847) is regarded as the founding figure of German Romantic landscape painting, but his golden age began in Italy. At the turn of the 18th and 19th centuries, many German artists who had worked in Italy used printmaking as their main creative medium, and Reiner was one of them. After the Renaissance, Italy has become a destination for artists to visit. Most of the German Romantic artists have stayed here for a long or a short time, and Leinte not only married here, but also established his artistic reputation here. In 1829, King Ludwig I of Bavaria (Ludwig I, 1786 ~ 1868) commissioned him to paint four huge Italian landscape paintings (about 170 x 270 cm), which can be imagined at the time of Reynter's fame. Born in Hof, Bavaria, Leinter started painting in high school with the encouragement of his teacher. Originally, he followed in his father's footsteps to study theology before turning to artistic creation. In 1783, he came to Dresden, an important art town in Germany at that time, and studied under the master of Johann Christian Klengel (1751~1824), an early German romantic master of landscape art. Master's work. In 1789 he was awarded a scholarship from the Marquis of Ansbach and left Dresstown for Rome, where he remained until his death in 1847. Living in Rome, perhaps a little more free than in the small principality of Germany at the time, was where Reynter came into contact with artists from all over Europe, including many of his colleagues in his hometown. This is a positive environment where we can learn from each other, but Rinter also has to work hard to stand out in the competitive art market. His paintings, drawings and engravings earned him a reputation and a lucrative income, and in 1801 Lainte was finally able to marry an Italian woman and start a family. After he came to Rome, he participated in the publication project of the Italian landscape prints: 【Malerisch radirte Prospecte aus Italien】(Maleerisch radirte Prospecte aus Italien) by the then Nuremberg art dealer Johann Friedrich Franenholz. The project took seven years (1792~98) and included 72 scenes of Rome and its environs. Wright and two other German printmakers, Albert Christoph Dies (1755~1822) and Ja Jacob Wilhem Mechau (1745~1808) was responsible for 24 works each. From the perspective of scale and era, this publishing project can be said to be the most important printmaking achievement at that time, and it has laid a new paradigm for landscape expression. Let people use historical events to celebrate the past and remember the present. The importance of Leinte in the history of art lies in his ability to transform natural landscapes into idealized pictures, combining known styles, themes and shapes, and integrating and transforming them with his superb skills, giving them a heroic and sublime flavor. In addition to his 24 works in [Etching of Italian Landscapes], he also continued to create related prints, with a total of 170 pieces. As for his paintings, in addition to the four collections in the New Pinakothek in Munich today In addition to a work commissioned by King Ludwig I of Bavaria, there are eight historical landscape paintings he completed in 1825 at the Palazzo Massimi in Rome, and other works are scattered in galleries across Europe. Introduction of works: This etching titled "Palosola" is a Catholic Cistercians monastery built in the 13th century. Until the beginning of the 20th century, it had been a place of religious devotion, but today it has been converted into a hotel. . In the picture, the monastery is located in the distance, and there are two pairs of people in the foreground, one is a man and a woman. Two painters are sketching from life. The Palosola Convent is located beside Albano Lake, across the lake from Castelli Gandolfo, where the summer villas of the Popes are located. This area is regarded as the birthplace of ancient Roman civilization. When the Palosola Convent was in ancient Rome, it was the holiday villa of the ancient Roman nobles. Judging from the arrangement of Leinte's pictures, he regards this place as a place to seek seclusion and visit. The man and woman are walking on the high walkway overlooking Lake Albano, while the two painters are capturing the beautiful scenery. Like his other etchings titled "Fort Gandolfo", the ancient buildings are integrated into the natural world without being deliberately highlighted, which also witnesses different historical changes from ancient Rome to the early nineteenth century. The tone that seems to have never changed in China: natural creation. *If you have any details, please send a message to contact the designer *The main products of this design hall are Western antiques, old jewelry, and old European original prints. Old products will inevitably have traces of historical years, but they are cleverly placed according to personal tastes, and they can promote an extraordinary life. Taste and aesthetic concept. However, if you still mind, please consider carefully before placing an order.