[Customized gifts] Li Meishu Memorial Hall Yuyue Longmen

Art Criticism The carp leaped over the dragon gate, and it was about being promoted and flying yellow. It is also a metaphor for advancing against the current and working hard. In this painting, Li Meishu’s carp is alive and well, and the water in the pond has a superb technique. Capture the moment when the colorful and beautiful carp swims in the water! It is an auspicious and elegant work without sacrificing leisure. Carp sketching is one of Li Meishu’s most powerful subjects in dealing with light and shadow. His freely large brushstrokes are not limited to the description of details, especially the color of light and shadow on the water and the depth of water in the pool. All have very unique performance. Although the composition of this composition is simple, the magical finishing touch of the little fish in the upper right corner is a magical touch. Digest/Li Meishu Memorial Hall The name of the work: There is a fish every year Size: 45.5x53cm Material: Canvas Type of work: oil painting Creation time: 1981 Collection: Li Meishu Memorial Hall 【Frameless Picture】 Printing method｜11-color top art micro-jet (Giclée) Material｜World's top brand Canson® Museum Pro matte canvas ‧ 385g/m² ultra-thick weight‧ Advanced technology of microporous coating ‧ matt waterproof protection Size | 20x30, 30x45, 40x60 thickness 2 cm Back panel accessories｜Handmade wooden board, hidden nail design attached stand, lanyard Limited editions｜36 pieces 【Metal Picture Frame】 Printing method｜11-color top art micro-jet (Giclée) Material｜Canson Museum's top grade acid-free cotton plain art paper Size | 20x30, 30x45, 60x40 thickness 3.5cm Accessories on the back｜Metal lanyard Frame Information｜Metal hairline aluminum frame, black, silver Limited editions｜64 pieces ★Limited prints will be accompanied by a certificate of purchase number★ ★Delivery within 8 working days after ordering, excluding holidays★ Frameless paintings can enjoy laser carving You can use the laser engraving service on the back of the service to carve out what you want to say as a souvenir! ★For the laser engraving service, please place the order [Order Remarks] Fill in the required text (no more than ten characters)★ Artist introduction Li Meishu (1902～1983) studied in the Normal School of the Mandarin School of the Governor's Mansion in his early years. His early painting "Still Life" in 1927; "Three Gorges Back Street" in 1928 was selected for the first and second Taiwan Exhibitions. In 1928, he went to Tokyo to study painting at the three painting institutes of Kawabata, Toshusha and Hongo. The following year, he passed the entrance examination of Tokyo Art School (the predecessor of Tokyo Art University), Teacher painting masters Kotaro Nagahara, Mango Kobayashi and Saburo Okada laid a solid foundation for the subsequent realistic style. In 1934, he and his friends Chen Chengbo, Yan Shuilong, Yang Sanlang, Liao Jichun, Chen Qingfen, Li Shiqiao, and Li Shi Tiechen jointly created the "Taiyang Art Association". In 1935, "The Girl Resting" won the first seat of the Ninth Taiwan Exhibition and was awarded the "Taiwan Governor's Award." In 1939, "Red Clothes" was selected for the third literary exhibition (formerly the Japanese Emperor Exhibition). In 1940, "Flowers and Women" was selected for the fourth literary exhibition (Fengzhu Exhibition), and since then established its historical status as an outstanding Western artist in Taiwan. In 1946, he applied for the first provincial exhibition review committee, and the exhibition "Sunday" was purchased by the provincial government and submitted to President Jiang. Large-scale paintings such as "Twilight" and "Outing" in 1948 are regarded as representative works. After Taiwan's recovery in 1945, In addition to getting involved in the local politics of the Three Gorges, in 1947, he was recommended to preside over the reconstruction of Changfuyan Qingshui Zushi Temple. Since then, the theme and style of the paintings have become more and more rustic and realistic, showing their maverick and disdain for the demeanor of the group. After 1962, he served successively as a professor and director of fine arts at the Cultural University, National Art College, and Normal University. Instructing art college and other sculpture students to participate in the metal relief project of the Three Gorges Zushi Temple, Putting the college's professional skills into the practice of traditional temple construction is a pioneering work in the history of art education in Taiwan. Professor Li's contribution to the promotion of art education, in addition to the formal education of the college, and with rigorous and exquisite aesthetics, he has guided many traditional wood and stone carvers hired by the Zushi Temple, making the Zushi Temple an "Oriental Art Palace" built by the finest carvings. ", and is a classic masterpiece of modern temple architecture in Taiwan. In his later years, he was elected by the fine arts circles to hold high positions such as the chairman of the Oil Painting Society, the chairman of the Artists Association, and the honorary chairman of the Oil Painting Society. Li Jingwen, CEO of Li Meishu Memorial Hall Li Meishu Memorial Hall