【Art Hanging】Joan Miro Miro--Composition

＊Large sizes can only be delivered at home. *Scene simulation pictures, computer color differences, and ambient lighting may have some color differences from the actual posters received. ＊The mounting method is time-consuming and labor-intensive. Orders need to wait 2-3 weeks, so please be patient. Joan Miro Juan Miro Joan Miró is one of the most famous Spanish artists of the 20th century. Throughout his long and fruitful creative career, he has always been passionate about interpreting everyday objects and exploring their inherent poetic qualities. His lifelong ambition was to connect art and life, and with his unique insight, he found poetic qualities in the most humble objects of daily life. The stars, moon, and sun painted by Miro are abstract symbols that are considered classics of abstract painting and his most famous painting style. However, in fact, Miro was deeply influenced by Cubism, Surrealism, and even Dadaism. The wind is changeable. He was determined to combine poetry and painting into one, and to revolutionize the traditional art medium of painting. He even once said: "I want to assassinate painting!" Miró had a close relationship with the Surrealist School. These Surrealists were open-minded and good at using different media to create. They had been trying to combine poetry and painting. Miró once took apart a poem and turned it into the basis of his painting. title, and tried to express his poetic nature in his paintings. Although Miro's paintings are considered abstract paintings, many times what he painted were symbols, and from the symbols, it can be seen that they are stars and the moon. Or a puppy/animal. Compared with completely abstract paintings, they show that Miró was deeply influenced by Surrealism. "He experienced two world wars and a Spanish Civil War. Those eras again witnessed the rule of the privileged class. He took refuge in the countryside. Living on the beach and looking up at the stars inspired him to paint the Constellations series (1940-1941). Later he began to paint with stars, moon and sun, and the Constellations series became his signature language." Speaking of his inspiration Regarding artistic influence, Director Luo said that Miró arrived in Paris when he was about thirty years old. At that time, Paris was the most avant-garde art center in the world, and various schools of painting contended. In addition to Surrealism, which he was more influenced by, he was also influenced by Dadaism and Cubism. "According to himself, he will learn from each school of painting, but he does not admit that he belongs to any one school of painting." assassination painting Miró once said during his lifetime that he "pays more and more attention to the materials used in his works. In order to let the audience feel the impact before they react, I think a rich and powerful material is necessary. In this way, the poetry comes through The medium of shaping is expressed." The materials he originally used were subversive. He would use wood, polymer fiber boards, brass Bronze, sandpaper, asphalt, etc. to create creations, scratching, drilling, gluing, and collaging them. Each has its own style. Perhaps for those who have a basic understanding of Miro, watching this exhibition, you will be surprised to find out that he was so deeply influenced by Dadaism. For example, the painting he painted in 1933 is displayed at the entrance. Oil painting (this work is simply called "Painting"), the origin of this painting is that he likes to collect magazines, and then cut out different "objects" in the magazines and collage them into works. The exhibition displays both his original collages and the oil paintings that he later evolved into. As we all know, collage and Ready Made are both common techniques of Dadaism, and Miró just picked them up as his practice. Why Miro is great Why is Miró so great that he can rival Picasso and Dali? How is he different from the other two? "Some people call Miro a surrealist painter, and generally say that he created abstract art, because it is difficult for everyone to define him with one doctrine. He is very compatible. This is why he is different from Picasso and Dali. Very different. When mentioning Picasso, he thinks of Cubism, and Dalido thinks of Surrealism. In addition, Miró also emphasized returning to nature. Whether he was in bustling Paris or there, he would spend two months every year, Returning to the countryside of Catalonia, I gained strength from nature." She said, "Miro took different media very seriously and collaborated with artists of different generations. He loved folk art and also collaborated with craft masters to create creations. The scope is very broad, and the creative period spans sixty years, which is quite rare." Title of work: Composition Size of works for sale: 77*60 cm Year of work: 1970 https://canvypro.blob.core.windows.net/thumbs/7f798b50f397401ebf7ea4b3b8ab3edd.jpg This painting is a work created by Joan Miró in 1970 and is called "Composition". It is done with gouache and Chinese ink on paper and measures 18.5 x 24.2 cm. The painting is signed "Miró" on the lower right side. This description refers to the history of the painting. It was originally received by the Fequet et Baudier gallery in Paris as a donation from the artist Joan Miró. In 1989 the painting was received as a gift from the then collector who became its current owner. This text describes in detail Joan Miró's artistic concept and the background in which he created this work. Miró describes his understanding of painting, likening it to studying the traces of fallen pebbles on the water, birds in flight, the disappearance of the sun into the sea or the pine and laurel trees on the mountains. His creative process pursues the search for hidden sounds in silence, movement in stillness, life in the inanimate, infinity in the finite, form in the void, and his self in anonymity. These ideas are reflected in his work, presented in simple and pure forms, using a minimal color palette, such as red to symbolize the beauty of the sunrise, blue to represent the sky and sea, and yellow to symbolize the earth. The creative process for this work began with preliminary sketches in colored pencil (now at the Pila and Joan Miró Foundation in Palma de Mallorca). In the final composition, he replaced the continuous line marking the horizon on the left with a series of small black dots. Miró then produced a woodcut to illustrate a 1971 greeting card. This woodcut was originally intended to be printed in 350 copies, but only 50 were printed by Fequet and Baudier (D. Lelong, éd., Miró Graveur, catalog raisonné des gravures, Paris, 1989, vol. II, p. 191, no. 550, illustrated). After the war, Albert-Pierre Fequet and Marthe Baudier, working with publishers Aimé Maeght, Louis Broder, Gérard Cramer and Pierre Lecuire, were responsible for printing their most beautiful books, contributing to the development of the "golden age" of French prints and illustrated books contribution, ultimately fostering greater communion between artists and craftsmen. Their printing house became one of the most popular art printers of the time, producing many of the most beautiful books by modern painters. Miró's collaboration with Fequet and Baudier lasted more than thirty years, from 1948's Tristan Tzara's Parler Seul to 1979's Patrick Waldberg's La Mélodie acide, which was published in 1980. In memory of their eternal friend Joan Miró, who died in 1983, Fequet and Baudier's last collaboration with Miró on etchings and woodcuts was Almario by José-Miguel Ullàn and Passage de l'Égyptienne by André Pieyre de Mandiargues. The illustrations for these two books began in the artist's lifetime and were completed and published in 1985 by Robert and Lydie Dutrou. The difference between whether there is Acrylic or not: 》 Acrylic= one more layer of protection = one more layer of reflection 》No Acrylic= less layer of protection = you can directly see the work with better texture I don’t know how to choose: (If there are children in the family, it is recommended to add Acrylic), (If there are adults in the family, you don’t need to use Acrylic) https://image-cdn-flare.qdm.cloud/q665027dd6a3a4/image/data/2022/06/22/37f09f78639e0445223ad276c14b9c6c.jpg Aluminum frame selection: https://image-cdn-flare.qdm.cloud/q665027dd6a3a4/image/data/2023/07/11/4b853563c2267abe4f46e392cf820e6b.jpg Source of work: https://image-cdn-flare.qdm.cloud/q665027dd6a3a4/image/data/2023/10/26/b011dd717f432dd262c032f1f02f4f8f.jpg