[Customized Gift] Li Meishu Memorial Hall Autumn Arrives in the Treetops - Giclee Digital Printing

art analysis "Autumn Arrives at the Treetops" and "Autumn Colors" were both painted in 1981, two years before Li Meishu passed away. They were taken from an upward perspective. It seems that I have forgotten myself while looking up at the sky, and I feel like everything has finally returned to nature. Looking straight or overlooking the earth, the depth and distance of space are easier to grasp. The scenery is of course orderly. Looking up at the treetops, it is just a mess. The subject is difficult to highlight and the space is difficult to measure. This is by no means an easy-to-express framing. A bunch of branches and leaves that are difficult to distinguish and overlap with each other are like phantoms in the sky. The plum tree is not disturbed by the chaos of the trees. He simplifies the complex and simplifies it. A few blocks of color and countless shadows illustrate the brilliance seen under the light of adversity. Light is just the medium here, and the bright colors are the primary pursuit. Li Meishu uses countless fine brushstrokes to create a sense of movement in the painting. The strong colors of gold, orange-red, grass green and so on corresponding to black are intertwined, making the whole painting as bright as a tapestry. Digest/Li Meishu Memorial Hall Introduction to authentic art Title of work: Autumn Arrives in the Treetops Material: Canvas Size: 72.5×72.5cm Type of work: Oil painting Creation time: 1981 Subject: Landscape Collection: Li Meishu Memorial Hall 【Frameless painting】 Printing method | 11-color top-quality giclee (Giclée) Material｜1. The world's top brand Canson® Museum Pro matte canvas‧ 385g/m² ultra-thick poundage‧ Advanced microporous coating technology ‧ Matte and waterproof protection ‧ 100% pure cotton acid-free 2. Economical matte canvas 280g/m²‧polyester fiber Dimensions | 20x20, 30x30, 40x40, 45x45, 50x50, 60x60 Thickness 2 cm Back panel accessories｜Handmade wooden board, hidden nail design with stand, lanyard Limited edition｜100 pieces ★Museum-grade canvas VS economical canvas https://live.staticflickr.com/65535/52188070758_1092ee7074_c.jpg ★Limited edition prints will be accompanied by a certificate of purchase★ ★Shipment takes 8 working days after ordering, excluding holidays★ https://live.staticflickr.com/65535/52188544810_843a4b22cb_c.jpg https://live.staticflickr.com/65535/52188313584_512dfd7524_c.jpg Artist introduction Li Meishu (1902-1983) studied in the Normal Department of the Government-General Mandarin School in his early years. He was deeply influenced by Western painting and the idea of learning painting arose spontaneously. His early paintings, "Still Life" in 1927 and "Three Gorges Backstreets" in 1928, were selected for the first and second Taiwan Exhibitions. In 1928, he went to Tokyo and studied painting at three painting institutes: Kawabata, Tongzhou Society and Hongo. The following year, he passed the entrance examination for Tokyo Art School (the predecessor of Tokyo University of the Arts). He studied under the masters of painting, Kotaro Nagahara, Mango Kobayashi and Saburosuke Okada, etc., laying a solid foundation for his subsequent realistic style. In 1934, he co-founded the Taiyang Art Association with his friends Chen Chengbo, Yan Shuilong, Yang Sanlang, Liao Jichun, Chen Qingfen, Li Shiqiao and Tateishi Tiechen. In 1935, "The Napping Girl" won the first place in the special selection of the 9th Taiwan Exhibition. Received the "Taiwan Governor's Award". In 1939, "Red Clothes" was selected for the Third Cultural Exhibition (formerly the Japanese Imperial Exhibition). In 1940, "Flowers and Girls" was selected for the Fourth Art Exhibition (Fengzhu Exhibition). Since then, he has established his historical status as an outstanding Western artist in Taiwan. In 1946, he applied to be a member of the review committee of the first Provincial Exhibition. The exhibition "Sunday" was purchased by the provincial government and presented to President Chiang Kai-shek. Large-scale paintings such as "Dusk" and "Outing" in 1948 are regarded as representative works. After Taiwan was regained in 1945, In addition to being involved in the local politics of the Three Gorges, he was elected in 1947 to preside over the reconstruction of the Changfuyan Qingshui Patriarch Temple. Since then, the subject matter and style of his paintings have increasingly tended to be rural realism, reflecting his unique style and his demeanor that stands out from the crowd. After 1962, he successively served as an art professor at the Cultural University, the National Art College, and the Normal University. Director and other teaching positions. Guiding art college and other sculpture students to participate in the metal relief project of the Three Gorges Ancestral Temple. Integrating the professional skills of the academy into the practice of traditional temple architecture is a pioneering work in the history of Taiwanese art education. Professor Li’s contribution to the promotion of art education is not only the formal education in the college, but also the guidance of many traditional wood and stone carvers hired by the Ancestral Temple with rigorous and exquisite aesthetic qualities. The Patriarch's Temple has become a "Palace of Oriental Art" made of exquisite sculptures and a classic masterpiece of Taiwan's modern temple architecture. In his later years, he was elected by the art circle to hold lofty positions such as Chairman of the Oil Painting Society, Chairman of the Artists Association, and Honorary Chairman of the Oil Painting Society. Li Jingwen, CEO of Li Meishu Memorial Hall Li Meishu Memorial Hall