The Shepherd's Song - Schoenfeld & Isenger - lithograph

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The Shepherd's Song - Schoenfeld & Isenger - lithograph

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Author: Johann Heinrich Schönfeld (1609~1684) Name: [shepherd playing music] Attribution: H. Schonfeldt invent./Gabr. Ehinger sculu.. Technique: Etching. Date: late seventeenth century. Dimensions: 13.8 x 18.3 (picture). 15.7 x 19.8 cm (including cardboard). Remarks: with double-layer cardboard mounting (without frame) Serial number: P K-058 Introduction of works: This work is from the important German Baroque painter Johann Heinrich Schönfeld (1609~1684), and then by his student Gabriel Ehinger (1652~1736) ) was reproduced in the etching technique. Schoenfeld's father was a goldsmith. According to the tradition of the time, he could expect his son to inherit his father's business, but he was born blind in his left eye and could only use his right eye to perform some simple tasks, and could not accept the complex training of goldsmiths. . At the age of fourteen, his father had to send him to nearby Memmingen to take painting lessons, and then he began an artistic career that traveled around the world. His study tour of painting, then to Stuttgart and Basel, in 1633, because of the fierce fighting of the Thirty Years' War, he fled to Italy, first in Rome for a few years and then in Naples. In 1651 he returned to Germany via Venice, where he settled in Augsburg, where he married. This artist, who had gilded in Italy, became a hot figure in the German-speaking region, with a steady stream of cases, and dignitaries from churches and cities all over the place. His style of painting had a Mannerist style from the very beginning, which should have been influenced by the Dutch and French prints he had come into contact with during his early studies. After arriving in Rome, he was influenced by artists from all over the world at that time, and was familiar with various themes, such as historical paintings, Biblical stories, ancient myths and pastoral landscapes are also integrated into Italian landscapes and ancient ruins. At that time, he was not yet familiar with the way of expression of Baroque flamboyance and three-dimensional shapes. After arriving in Naples, influenced by the local painting style, fantasy themes and vivid and dramatic narrative methods have become a distinctive feature of his paintings. The colors are also integrated into the traditional dark tones of Naples, with Carava Joe's tone. After Schoenfeld settled in Augsburg, although he can be said to be an important figure in the painting world, he did not form his own school of painting because of his uniqueness. His seemingly random quick brushstrokes in the later period touched contrasting tones, and The special religious sentiments he exudes are reminiscent of the Rococo generation in the eighteenth century. This engraving [Song of the Shepherd Boy], reproduced by his students, closely reflects his painting style in his later years. The theme of the pastoral song can be linked with the Rococo style of the 18th century. Those large paintings are rare. His student Gabriel Isenger's etching brushstrokes can also be seen in the teacher's usual quick brushwork. The music of a pair of shepherd boys and girls seems to be floating away in the breeze, and the two sheep stop or move with their temperament. Climb the trees to eat the leaves, keep still and move, and enrich the picture. The ruined ruins on which the shepherd boy was sitting, and the scenery in the distance, may be the artist's memory of his Italian years in his later years. *If you have any details, please send a message to contact the designer *The main products of this design hall are Western antiques, old jewelry, and old European original prints. Old products will inevitably have traces of historical years, but they are cleverly placed according to personal taste, and they can promote an extraordinary life. Taste and aesthetic concept. However, if you still mind, please consider carefully before placing an order.

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The art of the German Romantic period showed a new style and became a new era style in the history of Western art. Landscape, in romantic art, is transformed into a stage for the interaction between nature and human soul, carrying various elements and showing different tones. Only one piece per piece.

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