Dancers don't worry

From the initial "democratic chaos period" to the "ballet revolution period" that laid the foundation for professional operation and the "multiple change period" where different nourishments were drawn, the dance company relied on its connections to gather strength and establish a "contemporary Hong Kong culture". Art policy. Stepping into the 1980s, the "troika period" that showcased local elite choreographers and the "local development period" that promoted the exchange of modern dance between China and Hong Kong, the dance troupe opened up a new world for the development of Chinese modern dance through the thread of geography. The countdown to the return of 1997 brought Hong Kong and dance troupes to the international stage. Facing this era with China as the focus, the cultural integration, tolerance and synergy of the two places is the practice of the dance troupe "based on Hong Kong, minding the motherland, and looking at the world." Vision. As the leader of the dance troupe, Cao Chengyuan walked all the way to watch the situation with smiles, worry-free and regret-free.