Wood-burning three-liang gold-colored tea warehouse/tea can/tea storage container/tea storage container/handmade by Xiao Pingfan

In fact, the aesthetics of life are everywhere, especially the pursuit of beauty at tea banquets, integrating tea, people, and utensils to create your own little tea banquet world. If you want to know a tea person’s aesthetics about tea banquets, you can get a glimpse of it by looking at his tea warehouse! This wood-burning teahouse has been quenched by firewood at a temperature of more than 1,200 degrees, and has a beautiful gray glaze waterfall. After five days and four nights of wind, fire, ash and mud, the work has far-infrared rays, which is particularly suitable for use. Store tea, store tea. The capacity of this item is about one pound of tea leaves. This ancient wood-burning Tibetan tea set has unique and beautiful natural orange-red and gold fire patterns that overlap and contrast! The rose-colored teahouse seems to tell that man and nature can be connected in a ritual. When you open the teahouse and pour out the tea leaves, intangible emotions fill the entire tea banquet. This is the most beautiful gesture! Height: about 9cm Width: about 10cm Capacity: three taels In the 5th Shanghai International Firewood Ceramics Competition in 2023, two authors from Xiao Ping Ping Tao Fang, Chen Shiping and Wang Dianfan, both had their works selected for the Excellent Prize. Your support is our motivation to continue creating. https://live.staticflickr.com/65535/53341561855_249c0591a6_c.jpg https://live.staticflickr.com/65535/53341437984_c608c50771_c.jpg 2023 Media Interview with Xiao Pingfan Art and Entrepreneurship Complete Record https://live.staticflickr.com/65535/53341329978_bb6984d457_c.jpg https://live.staticflickr.com/65535/53341561785_f553253a82_c.jpg https://live.staticflickr.com/65535/53341329968_8834731df8_c.jpg The works of Xiao Ping Ping Tao Fang do not pursue mass production. Each creative product has a unique design. The pure hand-kneading or drawing process gives life to the work. Each work is unique. The works in the Taofang are all created by us as husband and wife, so they are signed "Ping" or "Sail", and some works are signed "Little Ordinary Taofang", which is unique!! https://live.staticflickr.com/65535/51567264550_68d52fdae8_b.jpg **1. What is the origin of the work?** We mostly use American soil, Japanese soil, and Taiwan Miaoli soil for our creations. https://live.staticflickr.com/65535/51567015014_0b15931da0_c.jpg https://live.staticflickr.com/65535/51565549942_7663197885_h.jpg https://live.staticflickr.com/65535/51567015039_4c2a9b80e3_c.jpg **2. What is the wood-fired process?** American soil, Japanese soil, and Miaoli soil are kneaded in different proportions. The production process is purely hand-kneaded (not a drawing machine) and slowly formed. After the basic shape, the lines of the embryo body are trimmed, and then polished to complete the preliminary embryo. After entering the kiln, the firewood of natural longan wood and acacia wood is burned continuously for five days and four nights. The temperature rises to more than 1,200 degrees. During this period, the natural ash will adhere to the work, forming a special ash glaze. ; At the same time, the fire patterns in the kiln will also flow between the works, forming beautiful orange-red or blue-purple fire pattern traces. After five days and four nights of falling ash and fire patterns, it still takes a week of cooling before the beautiful appearance of a piece of work can be achieved! Since the atmosphere in the kiln is different each time wood is burned, the ash and fire patterns of each work cannot be the same, making each work unique! https://live.staticflickr.com/65535/51567015104_1eec785177_b.jpg https://live.staticflickr.com/65535/51567264535_7bd0037e60_c.jpg https://live.staticflickr.com/65535/51565533012_fdce6d65a3_h.jpg https://live.staticflickr.com/65535/51566346721_2b98f539f8_c.jpg **3. What should VIPs pay attention to?** The color of the product may be slightly different due to the lighting source of the photography. The work is purely handmade and will definitely leave traces of the texture. The work may also have slight gaps due to the firing process, uneven edges or slight production scratches, etc. This is a normal phenomenon and can definitely be used normally. Please understand! https://live.staticflickr.com/65535/51565533097_13ea71a377_c.jpg https://live.staticflickr.com/65535/51565533012_219eca4133_c.jpg **4. Xiaofan Art Competition and Exhibition Qualifications in Recent Years** 2023 Media Interview with Xiao Pingfan Art and Entrepreneurship Complete Record 2023 The 5th Shanghai International Firewood Ceramics Competition has two finalists: "Antelope Set" and "White Monkey Incense Burner" 2023 Joint Exhibition of Members of the Ceramics Association of the Republic of China "Ceramic Sculpture·Tracing Ceramics" 2022 "Xintao Award" New Ceramics Studio Excellence Award 2022 "Xintao Award" Innovative Ceramics Outstanding Personnel Award 2022 Sparkling Joint Exhibition of the Ceramics Association of the Republic of China 2022 Yilan Art Exhibition Photography Category Selected in "Dapeng Spreads Wings" 2022 Brilliant Joint Exhibition of the Ceramics Association of the Republic of China 2021 Miaoli Ceramics Art Festival Ceramics Competition Wood-fired Group Excellent Work "Cow Touching" 2021 The 4th Shanghai International Firewood Ceramics Competition has three finalists: "Crying with Joy", "Dancing with the Sheep", and "The Sheep is Proud" 2021 Miaoli Ceramics Association Culture and Tourism Bureau Joint Exhibition 2020 Miaoli Ceramics Museum Yiyun Joint Exhibition 2020 Miaoli Ceramics Art Festival Ceramics Museum Exhibition **Author Chen Shiping Wang Dianfan**