Original prints - Furong - Lin Renxin

The work is printed using blue film engraving techniques and a multi-color technique. In addition to the soft image, there is no substitute manual texture. Artist's resume: Lin Renxin Lin Ren-hsin (1973~) Born in Yilan, Taipei University of the Arts Institute of Fine Arts, currently a professor of art at the Taipei University of the Arts and a lecturer in fine arts at Tainan University of Applied Sciences. He is also the founder of the printmaking art of Taiwan's printmaking art platform. The creation of media, including plane, three-dimensional shape and public art, often explores the relationship between the individual and the living environment, and creates the subject matter. His works have won dozens of solo exhibitions and joint exhibitions, including the National Taiwan Museum of Fine Arts, the Republic of China Printmaking Society, the Guandu Art Museum, the Japanese Zoezhen Museum of Art, the French Chamalieres Museum of Contemporary Art, the China Guiyang Art Museum Collection, the Sun Yat-Sen Memorial Hall, and the National History Museum. The Orchestra participated in impromptu performances in the National Performance Hall, Chengda Performance Hall and Beiyi University Music Hall. It also participated in various public art design and production. >>Study experience 2015-2018 Deputy Secretary General of the Republic of China Printmaking Society 2015-2018 Adjunct lecturer, Department of Fine Arts, Tainan University of Applied Sciences 2013-2017 Director of the Republic of China Printmaking Society 2011 Lecturer, Fine Arts Department, Evergreen University, Tainan 2010 Print Art Space - Founder of Rock Pen Model 2006-present as a lecturer in the Fine Arts Department of National Taipei University of the Arts 2006 Master of Arts, National Institute of Shape and Art, Taipei University of the Arts 1997 Bachelor of Arts, Fine Arts, National Academy of Art >> Awards 2018 "Kong Fangxiong Series - Modern Madonna", the 18th Republic of China International Print Biennial, selected, Taichung, Taiwan 2012 "ㄒㄧˊ字-2", the 15th China International Printmaking Biennale, selected, Taichung, Taiwan 2010 "Butterfly Kingdom", the 14th China International Printmaking Biennale, selected, Taichung, Taiwan 2008 "Spoken Dreaming Talk", National Print Exhibition, Conference Award, Taipei, Taiwan "Private Printing", the 13th China International, selected, Taichung, Taiwan 2007 Selected by the Executive Yuan Cultural and Cultural Association in 2007 to select visual and performing arts creative talents to go abroad in the village and exchange program Resident Artist - American Anderson Farm Art Center Japan Tokyo International Print Exhibition, selected China Guanlan International Print Biennial, selected 2006 "Layout Series - Soaring" The 12th China International Printmaking and Sketch Biennale, Printmaking/Sketch Selected, Taichung, Taiwan 2005 won the Republic of China Printmaking Society, Creation Award, Taipei, Taiwan 2004 "Zhang Xinlong Art Creation Award", preferred, Taipei, Taiwan 2004 "Layout Series", the 11th China International Printmaking and Sketch Biennale, Printmaking/Sketch Selected, Taichung, Taiwan 1998 "afternoon", the 34th National Academy of Arts Award, Oil Painting Silver Award, Taipei, Taiwan >>Collection 2018 National Taiwan Museum of Fine Arts, Taichung, works: Kong Fangxiong Series - Modern Madonna 2011 Guandu Art Museum, Taipei, works: ㄒㄧˊ字(II) 2008 National Taiwan Museum of Fine Arts, Taichung, works: Butterfly Kingdom, territory series II-1~5, layout series I-翱翔, territory series I-discovery 2008 Republic of China Printmaking Society, Taipei, works: Proverbs 2008 National Taiwan Museum of Fine Arts, Taichung, works: 2008 Yilan Art Museum, Yilan, works: Butterfly Kingdom, ㄒㄧˊ字(I) 2007 Guandu Art Museum, Taipei, works: Shaped Series I-Scissors 2007 Japan's Sasaki Art Museum, Okinawa, Japan, collection of works: the sunset 2006 Chamalieres Museum of Contemporary Art, Paris, France, works: Layout Series II-5 2006 China Guiyang Art Museum Collection, Guiyang, China, Works: Layout Series I-Discovery 2005 Sun Yat-Sen Memorial Hall, Taipei, Collection of Works: Layout Series I-翱翔 2004 Executive Academy Youth Collection Project, Works: Shaped Series I-1, National Museum of History, Taipei >>Important performances Solo exhibition 2017 "Man Yanlin Renxin 2017 Solo Exhibition", the line. Garden / Tainan 321 Lane Art Set, Tainan, Taiwan 2017 "visible and invisible Lin Renxin 2016 creative solo exhibition", M Gallery, Taipei, Taiwan 2015 “The tribute to the other side of Lin Renxin 2015 Creative Exhibition”, M Gallery, Taipei, Taiwan 2012 "Speech Bubble Lin Renxin's Solo Exhibition", Contemporary Art Gallery of Taipei Museum of Contemporary Art, Taipei, Taiwan 2012 "Doing a plane. Lin Renxin's Creative Exhibition, Far East University of Science and Technology Center, Tainan, Taiwan 2011 "Manning X Butterfly Effect Project"--Lin Renxin 2011 Printmaking Solo Exhibition, Rock Pen Model, Taipei, Taiwan 2009 "Butterfly Kingdom" - Engage in a solo exhibition, Pine Garden, Hualien, Taiwan 2008 "Butterfly Kingdom" Solo Exhibition, Home Gallery, Taipei, Taiwan 2006 "Popular and Real" Solo Exhibition Qianhuo Art Center, Taipei, Taiwan 2004 "Transfer" three exhibitions, Taiwan International Visual Arts Center, Taipei, Taiwan -- Q. What is printmaking? A. Printmaking is a collective term referring to the works of art created by traditional printing techniques. It has indirect and plural characteristics. If it is classified by printing principle, it can be simply divided into four parts: letterpress, gravure, lithography and hole. Large categories, each version can also subdivide a variety of different production techniques. In modern times, due to the development of computer technology, there is also a digital version of this classification. Q. What is a gravure? A. Intaglio intaglio refers to the use of engraving, acid water etching, etc. in the layout to create depressions, and then fill the ink into the depression of the layout, using wet paper and gravure machine to print the image of the depression Techniques, commonly used plates are mostly copper plates, so it is commonly used to refer to gravures as copperplate prints. Common techniques such as etching, direct engraving, meticelin or a photographic version combined with photographic methods, in addition to the copper plate, zinc plate, paper plate, physical plate or acrylic plate, also often used as a gravure plate material. Works Information-- Name of the work: Hibiscus Media technology: blue film gravure / one version of multicolor The gravure is hand-printed on French printmaking paper. Painting heart size: 24.5x18.5cm Year: 2015 There are 30 limited edition editions and 6 artists' self-collected editions (A/P). The number of shipments is the artist's own version (A/P). Origin / manufacturing methods Taiwan / hand-printed