[Art Hanging Painting] Joan Miro Miro--Women and Birds at Night

＊Large sizes can only be delivered at home. *Scene simulation pictures, computer color differences, and ambient lighting may have some color differences from the actual posters received. ＊The mounting method is time-consuming and labor-intensive. Orders need to wait 2-3 weeks, so please be patient. Joan Miro Juan Miro Joan Miró is one of the most famous Spanish artists of the 20th century. Throughout his long and fruitful creative career, he has always been passionate about interpreting everyday objects and exploring their inherent poetic qualities. His lifelong ambition was to connect art and life, and with his unique insight, he found poetic qualities in the most humble objects of daily life. The stars, moon, and sun painted by Miro are abstract symbols that are considered classics of abstract painting and his most famous painting style. However, in fact, Miro was deeply influenced by Cubism, Surrealism, and even Dadaism. The wind is changeable. He was determined to combine poetry and painting into one, and to revolutionize the traditional art medium of painting. He even once said: "I want to assassinate painting!" Miró had a close relationship with the Surrealist School. These Surrealists were open-minded and good at using different media to create. They had been trying to combine poetry and painting. Miró once took apart a poem and turned it into the basis of his painting. title, and tried to express his poetic nature in his paintings. Although Miro's paintings are considered abstract paintings, many times what he painted were symbols, and from the symbols, it can be seen that they are stars and the moon. Or a puppy/animal. Compared with completely abstract paintings, they show that Miró was deeply influenced by Surrealism. "He experienced two world wars and a Spanish Civil War. Those eras again witnessed the rule of the privileged class. He took refuge in the countryside. Living on the beach and looking up at the stars inspired him to paint the Constellations series (1940-1941). Later he began to paint with stars, moon and sun, and the Constellations series became his signature language." Speaking of his inspiration Regarding artistic influence, Director Luo said that Miró arrived in Paris when he was about thirty years old. At that time, Paris was the most avant-garde art center in the world, and various schools of painting contended. In addition to Surrealism, which he was more influenced by, he was also influenced by Dadaism and Cubism. "According to himself, he will learn from each school of painting, but he does not admit that he belongs to any one school of painting." assassination painting Miró once said during his lifetime that he "pays more and more attention to the materials used in his works. In order to let the audience feel the impact before they react, I think a rich and powerful material is necessary. In this way, the poetry comes through The medium of shaping is expressed." The materials he originally used were subversive. He would use wood, polymer fiber boards, brass Bronze, sandpaper, asphalt, etc. to create creations, scratching, drilling, gluing, and collaging them. Each has its own style. Perhaps for those who have a basic understanding of Miro, watching this exhibition, you will be surprised to find out that he was so deeply influenced by Dadaism. For example, the painting he painted in 1933 is displayed at the entrance. Oil painting (this work is simply called "Painting"), the origin of this painting is that he likes to collect magazines, and then cut out different "objects" in the magazines and collage them into works. The exhibition displays both his original collages and the oil paintings that he later evolved into. As we all know, collage and Ready Made are both common techniques of Dadaism, and Miró just picked them up as his practice. Why Miro is great Why is Miró so great that he can rival Picasso and Dali? How is he different from the other two? "Some people call Miro a surrealist painter, and generally say that he created abstract art, because it is difficult for everyone to define him with one doctrine. He is very compatible. This is why he is different from Picasso and Dali. Very different. When mentioning Picasso, he thinks of Cubism, and Dalido thinks of Surrealism. In addition, Miró also emphasized returning to nature. Whether he was in bustling Paris or there, he would spend two months every year, Returning to the countryside of Catalonia, I gained strength from nature." She said, "Miro took different media very seriously and collaborated with artists of different generations. He loved folk art and also collaborated with craft masters to create creations. The scope is very broad, and the creative period spans sixty years, which is quite rare." Title of work: Femme et oiseaux dans la nuit Women and birds in the night Size of works for sale: 60 x 74.4 cm https://canvypro.blob.core.windows.net/thumbs/d04b93d0d8574193a8226a5eafe508ab.jpg "Women and Birds at Night" He mentioned that when he returns to the studio in a calm state, he will carefully review all the content he created. He said that in addition to Queen Marie Louise, he would continue to explore the theme of "women and birds at night". Regarding the origin of this theme, he said it may have something to do with his love of space. Birds are reminiscent of space, and he placed them in front of night to associate them with the earth. He expressed an ongoing interest in this subject as one unique to him. "Woman and Birds at Night" is an important large-scale painting created in March 1968. It is one of the artist's favorite themes and has given rise to an important touring retrospective of his work. The exhibitions were held between 1968 and 1969 at the Fondation Megette in Saint-Paul de Vence, the Ancient Hospital of Saint-Cloud in Barcelona and the Haus der Kunst in Munich. Of these, the Barcelona exhibition has the most lasting importance for Mero, as it was this exhibition that led directly to the establishment of the Mero Foundation in Barcelona seven years later. "Woman and Birds at Night" is one of several paintings that Mero created in the mid-1960s that depict poetic themes surrounding women, birds, and the night. During this time he pursued the shared influence of recent American painting and Japanese calligraphy on his uniquely poetic, visceral and gestural style. Mero admitted that American painting showed him a direction in which he wanted to go, but until then remained in the stage of unfulfilled desire. He said: "When I saw these paintings I said to myself, 'You can do this too: go, look, it's no problem!' You have to remember I grew up in the Paris School. It's hard to get away from that" (Quoted by Joan Miró in a 1970 interview with Margit Rowell, see M. Rowell, cited above, 1987, p. 219). Miró's painting style was influenced by the dramatic large-scale open style pioneered by artists such as Jackson Pollock and Franz Kline in the 1960s. During that period, Miró moved into the large studio he had always dreamed of and began to create works of increasingly larger sizes. Additionally, he visited a retrospective exhibition in Tokyo in 1966 and met Japanese poets, potters, and calligraphers whose art he had always admired. Of this visit in particular, he recalled: "I was fascinated by the work of Japanese calligraphers, and it really influenced my working method. I worked in a deeper and deeper trance, and I can say that I am almost always It was in a trance. I think my paintings became more gestural." As Miró's work progressed in the 1960s, he became freer and more relaxed, more attuned to his creative process. For example, the work "Women and Birds at Night" shows the direct results of this practice. As a result of this practice, Miró's forms became more open and expansive, his gestural lines more dramatic and fluid, while the poetry and completeness of his image vocabulary remained essentially unchanged. In this large-scale and relatively open-form work, a solid and distinctly earthy female figure stands boldly against the contrast of green fields and blue night sky, while the trails of stars and birds appear to dance around her. Miro's powerful, hieroglyphic, smoothly flowing calligraphic lines also strongly symbolize the ephemeral trajectory and progression of their own creative process. According to Jacques Dupin, a leading authority on Miró's work, his friend and author of the catalogue, "the themes of women, birds and night provide 'one of the keys to Miró's cosmic imagination: it elaborates The conflict between the elements of earth and sky, the fragility of the balance between them is presented in the dialogue between woman and bird. In this poetic feminine stylization, nothing is heavy or stable, the woman is in The process of metamorphosis between the fixed and the mutable. The analogy between the two creatures and the interweaving of their lines is sometimes so strong that it is difficult to tell where the woman ends and the bird begins, whether they actually form a Wonderful hybrid creature, this suspended union... takes place in the privileged space of the physical night, a natural intimacy that Miró never left. Reality is revealed as a rupture in the flow of time. The difference between whether there is Acrylic or not: 》 Acrylic= one more layer of protection = one more layer of reflection 》No Acrylic= less layer of protection = you can directly see the work with better texture I don’t know how to choose: (If there are children in the family, it is recommended to add Acrylic), (If there are adults in the family, you don’t need to use Acrylic) https://image-cdn-flare.qdm.cloud/q665027dd6a3a4/image/data/2022/06/22/37f09f78639e0445223ad276c14b9c6c.jpg Aluminum frame selection: https://image-cdn-flare.qdm.cloud/q665027dd6a3a4/image/data/2023/07/11/4b853563c2267abe4f46e392cf820e6b.jpg Source of work: https://image-cdn-flare.qdm.cloud/q665027dd6a3a4/image/data/2023/10/26/b011dd717f432dd262c032f1f02f4f8f.jpg