Nangui Truck

[Book Introduction] Set in New Territories West Write the first novel of the 21st century Use literature and life as a means of resistance When we thought we had missed a great era, when we looked back we found that we were in another great era. The changes in society are caught off guard, and in the great age, all the stories of individuals are buried. Wang Zhengheng cuts in with love stories. In the bottom of the love stories in the New Territories West, they are all naked situations where people survive and struggle. How do we live in this city and age in secret, but at the same time resist reality life? The daily life of Tuen Mun, Tin Shui Wai, and Yuen Long described by Wang Zhengheng has been ignored by society and rarely appeared in literary works. He focused on writing this area, carefully documenting the quality of life in it, and the lower class in life. face. The marginal characters of New Territories West have a unique aesthetics. The author uses his works to show how they wander into a mainstream that ignores them while creating their own unique mode of survival. The low-class characters in the collection include the truck driver in "Nangui Trucks", the construction workers in "Silent Bruises", the gangsters in "Chongzhe", the prostitutes of Nanlai, etc. The author observes them from the perspective of friends , Bringing their psychology, lust, hardship, struggle, scars, flesh and blood, laughter and tears to the readers again, and the role of intentional or unintentional destruction behavior, but also silently brings greater resistance to literature. Liu Guangcheng Illustrator Detailed reading of Zhong Guoqiang and Yang Jiaxian's monograph Li Weiyi, Tang Rui, Mai Shujian, Fan Shanbiao, Pan Guoling sincerely recommend Suggested words: He is good at using short dialogues to set off a boundary that is not hidden. The scenery and senses are not idle brushes. Brushing layer by layer indicates the character's twists and turns. The depression penetrated the secret feelings, and the instant of total burning had already happened. The novel is nothing but embers. ——Yang Jiaxian (Taiwan scholar and writer) Wang Zhengheng does not take the Kafka-style surreal city fables that the author swarms with this city. Instead, he takes root in the soil of real life and writes more about the edge of the city (especially Tuen Mun as Focus) The living conditions and psychological characterization of the family are deeply rooted in the cold and temperate pen and ink. The life quality is solid, and the essence of the novel art is deep. The language of literature and life is excellently reconciled, and it is a style of its own. -Zhong Guoqiang (Hong Kong writer and poet) A song belonging to the people of the border in the Northwest is sprouting...I look forward to being a big tree that can grow into flickering leaves even if burned by pain. ——Li Weiyi (writing writer) Wang Zhengheng's writing is crisp and strong. This kind of writing can particularly depict the real situation of the characters and release their energy and vitality when writing stories about the lower-class characters in the book. ——Tang Rui (Hong Kong writer, author of the novel "FOOTNOTE") Reading "Southbound Truck" is like watching Yu Yan. The soul will eventually die, and the last luminosity left behind will promote the afterimage, and chat to block the endless coolness of the night. -Mai Shujian (Hong Kong writer) Wang Zhengheng's novels are low-key, simple, and focused. They all give me this feeling in terms of subject matter, plot, and language. The author, at a distance that is close but does not lose his calmness, looks at those people and things with care, showing a sincere, sincere, and undivided powerful force. This is what moves me most. ——Fan Shanbiao (Associate Professor, Department of Chinese Language and Literature, The Chinese University of Hong Kong) The decadence of the characters is connected with the decadence of the city, but there is always a vitality in the decadence. The author outlines the destruction in social construction, and there are always people crowded to the edge of society, or fate. ——Pan Guoling (Hong Kong writer) 【About the Author】 Wang Zhengheng, graduated from the Chinese Department of City University, has won the Youth Literature Award, the Chinese Literature Creation Award, the Urban Literature Award, and the University Literature Award. A former teacher, reporter, and construction worker, he is now a freelance writer. His works are mainly current affairs commentaries and novels, scattered in "Duan", "Zi Hua", "Fang Yuan", etc.