Word Flower-Literature Magazine Issue 72-Change

**In the latest issue, Taiwanese readers can purchase directly at the bookstore, which saves on postage!** The bi-monthly publication of "Boiling Fish Culture" is published every single month and is available in Business, Sanlian, Tiandi, Zhonghua, Kubrick, Page One, Eslite, Lewen, Preface, Yulin, and Pastoral. Part of the period of inventory is limited, according to the warehousing quantity for sale. 72, change. Change is synonymous with spring, everything is turbulent with turmoil, and people consciously re-cast construction or destruction. The "Flower of Flowers" determines the opportunity of the 72nd period. Through the changing people and books, exhibitions become indispensable and the style of change is exposed. The three writers first brought in three types of enlightenment: Xia Zhiran catalyzes the mediocrity and faded beauty of the last days of Dacheng Xiaowen. Wen Yu uses poetry to find salvation under the shadow of history. Lai Xiangkai writes a walk of a foreigner between the present and the memory. The suspension crisis. In addition to the creative speed changes, we also asked Li Xinlun, Lu Yingyu, and Liang Baijian to talk about the garden where he/she gave birth. The face of the book is not the same as the person's face. Does it change? Therefore, in addition to taking us to see how classic books have changed their face, we also invite designers to “change” again and revitalize interpretations. As for the vast number of Wen Qing, how can they be changed at the literary road in the coming year? We have twelve zodiac fortune blessings, and there are also bookstore viewers who make up a variable of literary power. The new column “Drifting Drift” invites two generations of young people, Hong Yanxian and Mu Yu. They are fierce and gentle in the form of fiction. The dialogue is cruel and gentle on the way. Another pair of young people join hands in the "diagonal exercise" of the characters. Today, the theme of "dust" is used. Deng Le'er and Lv Shaolong both have great performances. This time the character is supported by the famous artist and writer Huang Renchen, and is selected as a guest editor. The number of writer columns has increased from two to four. Hong Kong’s modernist literature has promoted Kunnan, mastered the art of astrology, and told everyone about Haruki Murakami’s life chart. As for the mainland style director Tang Kuang, his textual lens focuses on light and shadow. Intimacy. Continuing the discussion of the previous record theater, this issue will then examine the documentary. In addition to the three local directors and supervisors, there are also two reviews, sorting out the trends of production and screening of documentaries in recent years.