Japanese Meiji Taisho old Bronze bottle antique vase inlaid with gold carved eagle pattern hundred years inlaid with gold copper bottle inlaid with gold carving

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Japanese Meiji Taisho old Bronze bottle antique vase inlaid with gold carved eagle pattern hundred years inlaid with gold copper bottle inlaid with gold carving - เซรามิก - ทองแดงทองเหลือง สีนำ้ตาล

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introduce: This is a copper vase from the Meiji and Taisho eras in Japan. It is about 20 cm tall and weighs 897 grams. The whole body is presented in a calm and simple dark Bronze. After hundreds of years of wind and rain, it has shown traces of natural mottled patina. The body of the bottle is made of deep and steady Bronze, and the surface is decorated with delicate and exquisite gold inlaid carving techniques, depicting the image of a majestic falcon with wings spread high in the sky. The eagle's claws are in the air, its wings are spread, and it is hovering above the raging waves, symbolizing bravery and fortitude. It is a strong spiritual symbol in typical Oriental art. This vase is signed "Ikko" and was made by a Japanese goldsmith who was active from the end of the Meiji period to the Taisho period. It was the golden age of Japan's absorption and integration of Western art. The technology of bronze making reached its peak, especially the inlaid gold and silver carving technique. The gold inlay technique originated in China during the Spring and Autumn Period and the Warring States Period, and was later introduced to Japan via the Korean Peninsula. It reached another technological peak from the late Edo period to the Meiji period. For this type of inlaid gold carving, the outline of the pattern is first chiseled out with a sharp knife, and then molten gold and silver lines are inlaid in between to form distinct layers of shimmering details. The mottled patina and dark color formed by the natural oxidation of the bottle have added a calm and profound historical atmosphere to the whole over the years. Judging from the line carving, the layout of the artistic conception and the choice of Bronze, it can be seen that his skills are solid and cannot be compared with ordinary mass-produced handicrafts. At that time, this type of artisan work was mostly used by aristocrats, temples or high-end tea ceremony spaces, and its value is self-evident. In traditional Japanese culture, the eagle symbolizes bravery and courage, and is a totem highly respected by the samurai class. Especially during the Meiji and Taisho eras, as national strength grew and the samurai spirit was reinterpreted, the image of the eagle became common in utensils, paintings and crafts as a symbol of blessing and encouragement. Therefore, this work not only demonstrates superb craftsmanship, but also contains profound cultural significance. It is suitable as an elegant display in the home, study or tea room, and can also be appreciated as a collection. Overall, this bottle has smooth lines, fine craftsmanship, and dignified and elegant shape, demonstrating the maker's superb skills and profound artistic cultivation. Regardless of its historical, artistic or cultural value, it is worth collecting. For collectors who love Japanese antique bronzes, gold inlay craftsmanship, or pursue the aesthetics of life, this is undoubtedly a rare masterpiece. It is worth mentioning that there is a faint circular raised mark on the back of the bottle, which looks like a patch at first glance, but upon careful observation there are no signs of damage or repair, and the surface is naturally integrated. This circular mark is the relic of the "pouring gate" or "casting gate seal" during the casting process, that is, the seal after the Bronze copper is poured into the mold. It may be the mark left after the craftsman sealed or polished it with a Bronze. It may also be an identification point deliberately left by the craftsman. Such details not only do not affect the value, but are an important basis for identifying authenticity and style of the times. In terms of overall shape, the bottle is full and heavy, with a stable center of gravity and a slightly outward-turned mouth. The turning points of the lines reveal the simple and practical aesthetics common in Japanese bronze ware from the Meiji to Taisho eras. There are not many such works in circulation in the contemporary market, especially those with complete patterns, signatures and craftsmanship details well preserved, which are rare and worth collecting! https://youtu.be/01kE2L9UHuM?si=LhTGTYSiTjYGeFnm

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No.158,125 - ของตกแต่งบ้าน  |  No.4,987 - เซรามิก
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Material: Copper (hand-cast) Height: about 20 cm Weight: 897 g Period: 1868-1926 (Meiji to Taisho era) Technique: Inlaid gold carving Pattern: Eagle with spread wings Signed: "Yi Guang" Condition: Natural patina and casting marks, local mottled, no obvious damage

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