"Art is an endless road, always moving forward in the pursuit of "infinite changes" and "infinite possibilities",
The process of continuous innovation, the joy of breakthrough, and the pursuit of the "essence of beauty" are the driving force behind my continued creation. 』-Lin Nosuke
Hayashinosuke's "Spring" depicts the scene where the spring sunshine shines through the gaps in the green leaves, and the green eyes are wandering around in excitement.
In order to reproduce the green-eyed bird in the work, Hayashinosuke's "Spring" joint product was produced as far away as the birthplace of Japanese ceramics - Arita Town, Saga Prefecture, using traditional Japanese pottery techniques Gosu dye and colored glaze to transform the greenery in Hayashinosuke's paintings. The embroidered eye bird appears as vividly as if it jumped out of the painting. Not only can you appreciate the beauty of spring and feel the breath of nature on the dining table, the cute green-eyed bird can also be used as a decoration on the dining table to increase the beauty of life.
About the Father of Taiwanese Glue Paint – LIN Chih-Chu|
Lin Zhishu (1917-2008) was born in Daya, Taichung, and went to Tokyo, Japan to study at the age of 12. At the age of 24, "Chaoliang" was selected into the "Blessing Exhibition of the Year 2600".
After returning to Taiwan, he won the Governor's Award for Special Selection at the Government Exhibition for two consecutive years, establishing his position in Taiwan's painting circles.
Lin Zhishu devoted his whole life to the creation of glue painting, and proposed the "rectification of the name of glue painting" and worked hard to maintain the art of glue painting. Therefore, he was hailed as the "Father of Taiwan glue painting" by later generations.
The representative work "Morning Cool" was designated as an "Important Antiquities" by the Ministry of Culture and is now in the collection of the National Taiwan Museum of Fine Arts.
About Spring 1966|
Paper. Glue color Eastern Gouache on paper|24×27cm
The greenness of the camphor tree in front of the hospital is refreshing, and the sun shines through the gaps in the green leaves. The green eyes are jumping for joy. The impression is strengthened and the shape is simplified. Diagonal changes in size and area are used. A right-angled triangle and three birds are left blank in the lower left corner. The inverted triangles are balanced with each other, making it a special and unique flower and bird work.
About the Sakamoto Kiln Pottery Room|
The Sakamoto Kiln Pottery House opened a kiln in Arita Town, Saga Prefecture, the hometown of Japanese ceramics, in 1999. It uses glazes and dyeing techniques called ruri glazes that have been passed down from the Edo period to fire various living pottery, which is clear and clear. The pure luster of the glaze is a characteristic of the works of the Sakamoto Kiln potter's house. Integrating new design ideas into tradition, and innovative creations using the old as the new are the spirit and goal of the Sakamoto Kiln Pottery House's continuous efforts and persistence.
About product material|
ceramics
About product contents and dimensions|
Contains two chopstick holders, each one is about 7.6cm; a spring painting card, product and artist introduction in Chinese, English and Japanese
About packaging|The hardcover gift box is about 22.5*21cm wide
Purchase Notes|
1. All products are designed and produced in Japan and are authorized by the Hayashisuke Gel Paint Foundation. They are hand-painted and colored by Japanese craftsmen. Slight differences in size, shape, color, and slight scratches on the surface are not defects.
2. When washing, please do not use vegetable cloth to avoid scratching the product.
3. Product photos may vary due to shooting lighting and 3C screen color rendering, and are based on the physical color of the product.
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- No.419 - เครื่องใช้ในครัว | No.10 - ตะเกียบ
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- The "Spring" painting from the collection of Lin Nosuke, the father of Taiwanese glue painting, has been jointly collaborated with the kilns of Arita Town, the birthplace of Japanese ceramics. The green-eyed bird in the painting is vividly presented using traditional Japanese pottery techniques of Gosu dye and glazed glaze. This ceramic work not only adds to the beauty of the table, but also allows people to feel the natural breath of spring at any time.
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