"Zihua" Literature Magazine Issue 44──Local ○ ○ ○ ○ ○ ○ ○ ○

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"Zihua" Literature Magazine Issue 44──Local ○ ○ ○ ○ ○ ○ ○ ○ - หนังสือซีน - กระดาษ

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Bimonthly, "boiled fish culture" published, published every single month, in business, triple, world, China, Kubrick, Page One, Eslite, Musical, Preamble, Yulin, Pastoral and other available. Partial stock is limited and is on sale. "Word" revised version of this issue. Colleagues at the editing meeting reminded me not to advertise the slogan "old bottle of new wine," as if "hea." The so-called innovation, but the market first rule. But can literature in turn think and replace the new page, in fact, in order to preserve the old contents and the old attitude, in the non-humble mood, take a look at history? About seven or eight years ago, after a series of social movements focusing on indigenous identity such as Lee Dong Street and Anti-World Trade, the relationship between conservation, youth, culture and politics in old streets, shops and old communities was even slower Slow change. In the meantime, a group of young and active writers and cartoonists created the word "flower." As an "impossible" attempt, the current publication made a great deal of rhetoric: "Flower" will strive to build Hong Kong literature in a more vivid and massive manner. "This comprehensive literary magazine has been Going on a new journey, showing rebellion and inspection through literature. Although it has been cut down by the Hong Kong Arts Development Council in the past seven years, it has still drawn lessons from the expansion of creative literature education and has come to the present with the support and support of all the writers and editors who care for literature. Flowering on the freshness of the magazine, the word "flower" gradually found its continued tenacity. "Creation should be multi-faceted. Criticism should be sharp communication. Design style is not an exaggeration. It is one of the core of expressing attitude. Together, the three parties will collide with each other in a continuous collision between ourselves and the limitations of society and the times." The magazine's ambition at the time of its launch still upholds the essence of the magazine - its correspondence to the society and the times, its creative field, and its in-depth evaluation. It is still the backbone and soul of the magazine. In the new version of "Flower", the above three parts fission into three distinct and responsive rhythm, three hidden in the magazine, contradictory and dialectical coexistence in literature. The first part, "Seconds and Seconds," focuses on the reality in the form of a special interview. The frontline of the arts, with its active pursuit of timeliness, forms a complementary and tense relationship with the slow and circuitous reading pace of the "Matte" in Part Three - - Literature can show both the power of intervention and, at the same time, a deadly distance from the infatuation of speed: the examination of the world can take place at its most decisive and restrained. The second part, the "murmur" between the two, extends the rhythm of creation to places beyond the city, especially those outside the narrow literary circle. Not Xu Xu Buji, this part of the attempt to blend different temperament of writing, outside the speed of creation to confirm the sky, the magnitude of literature. From beginning to end, literature is the process of creating jet lag and building a world with a time difference. Many people say that literature is more marginalized on the Internet platform that escapers more rapidly. Paradoxically, literature is also increasingly absorbed by the mainstream media, but it may also be consumed at the same time as a subtitle of embellishment that sends out an unexpected flash of attention. Seven years later, the city is even more impetuous. The "native land" is no longer limited to the main body of cultural memory, but more often it is dominated by ethnic tensions: Where will the literature writers go? It is still an impossible attempt to publish the word "Flower" seven years later, but it has gradually become an important literary platform and has accumulated the hope of a bridgehead. Flexible put on publicity, sharp matte generated. The "flower" revision, as a beginning, through the reader's participation, reading, together to complete, "new bottle of old wine." Origin / manufacturing methods Hong Kong

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