Meditation pottery- incense holder- incense sticks plate-vanilla illustration plate-earth cinnamon boy

Hand-kneaded porcelain clay, and then painted with cinnamon illustrations using decorative techniques, a unique incense stick | small flower vase, used as an incense holder for incense stick and incense sticks incense, making it easy to burn and enjoy incense. Or insert a small flower to become a quiet little scenery on your desk. Shiyue's small human-shaped pottery is based on the inner child in the creator Bo's subconscious. The little boy's appearance naturally took shape during the free-hand shaping, and he was born into himself. The blanks are fired in a high-temperature kiln at 800 degrees, glazed by hand step by step, and then finished with glaze firing at 1230 degrees. Each work is unique. |Dimensions| Length 15.6cm Width 6.8cm Height 2.5cm |Weight| 162g *** Hand-made pottery will inevitably have some slight irregularities, or small areas where the glaze is "painted", which highlights the difference between hand-made creation and machine mass production, but does not affect the style and use at all. Please do not place an order if you mind imperfections. ^^ When it comes to making pottery, I don’t seem to take knowledge or skills very seriously. In other words, after years of self-study, I have internalized the required knowledge and skills. Whether I am calm when creating is my problem. The decisive key to the atmosphere of the work. I always unconsciously treat every piece of work as if it were my own child, and I put all my heart into it. In the process of shaping with my bare hands, my palms and the pottery/porcelain clay are dancing in an intoxicating and harmonious blend, and each pottery baby is formed one by one in such a meditative quality. Anyone who has played with pottery knows that all pottery products need to be fired in high-temperature kilns twice, namely biscuit firing and glaze firing. During this period, you will always experience various surprises that are not as expected. In my creations over the years, I often use different clays or porcelain clays to make sculptures, and I also experiment with different glazing methods, underglaze colors, and decorative styles. Temperature often plays a subtle role in the manifestation of glaze color, so there are some The works are fired at 1230 degrees, but some are lowered to 1200 degrees so that the glaze color can be more beautiful. In order to try out the possibilities, I even learned to build a firewood kiln to throw firewood and burn it to 1260 degrees, just to know whether my pottery children were suitable for this path. The output of pottery is really a long wait for me. Although some Tao children may seem imperfect, they honestly present the poor works I produced when I was caught between life issues and lacked sufficient energy. Although they are not perfect, they still have the sense of being the ancestors who blazed new trails. I still cherish their "flaws" very much. Isn't that unique? Of course, there are some Tao Babies that give you a surprising glimpse of meeting your inner child as soon as you hold them in your hand. Such works are of course even more rare, but I am still willing to share them to pray for my inner tranquility. Through their works, they can gently nourish those who like them and become a kind of spiritual touch.