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Forbidden City x PEANUTS 16k fixed page notebook 19 x 26cm
The Forbidden City and PEANUTS / Peanuts comics bring a new perspective, and the classic scenes are worthy of your collection and savor.
**【Introduction to Cultural Relics】**
**Ru Kiln Celadon Lotus-Type Warming Bowl**
Relic Dynasties: Ru Kiln in Northern Song Dynasty (1101 AD-1150 AD)
Relic size: 10.4 cm diameter 16.2 cm bottom diameter 8 cm depth 7.6 cm
Artifact form: Porcelain
Description of cultural relics: The only celadon lotus-type warm bowl that has been handed down in the world. Although similar shapes can be seen in other kilns of the same period, or even in Korean Goryeo celadon at the end of the twelfth century, the proportions are moderate and the changes in thickness are still surpassing Other kilns are enough to serve as models of Song porcelain.
The unique azure glaze of Ru kiln has been regarded as the leader of celadon since the end of the Northern Song Dynasty. In the Southern Song Dynasty, it was rare and rare. In the late Ming Dynasty, it evolved into the first famous product of the Song Dynasty, second only to the Chai kiln of the Five Dynasties.
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**Ming Jingtai**
**Cloisonne enamel box with chrysanthemum pattern**
Height 6.3 cm, diameter 12.4 cm
Bronze filigree enamel round box, shaped from lotus flowers. The flat top is decorated with a lotus heart with a lotus pod. The arc-shaped outer walls of the box body and the box cover are moulded to cover the shape of lotus petals. Each lotus petal frame is decorated with a broken branch lotus, and the flower heart pattern and detailed lines of each lotus are different. The whole vessel is heavy to handle, elegantly crafted, the filigree lines are neat, and the gold-plated traces on the lines are still clear. The light yellow, indigo, light blue, bright red, and white enamel pigments used are thick and bright. The inside and bottom of the vessel are gilded, and the box is engraved with a small script: "Made in the Jingtai Year of the Daming Dynasty". Cloisonné enamelware was called "Dashi Kiln" or "Ghost Country Kiln" in the Yuan Dynasty, and was used to make furnaces, bottles, boxes, cups, cups and the like. It is used in women's boudoirs, but not in the scholar's study." However, this kind of craftsmanship was extremely prosperous in the Ming Dynasty, commonly known as "cloisonne", because the enamelware made by the palace workshops during the Jingtai period (1450-1456) was the most famous. Connoisseurs at the end of the Ming Dynasty regarded it as one of the most important craftsmanship achievements in the Ming Dynasty. The authenticity of the Jingtai style is mixed, and this incense box is a rare style that matches the style of the era.
https://live.staticflickr.com/65535/51940319780_259fc44779_b.jpg
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**Jade cabbage**
Cultural Relics Dynasty: Qing Dynasty (AD1644-1912)
Relic size: length 18.7 cm, thickness 5.07 cm, width 9.1 cm
Cultural relic form: jade tool
Description of cultural relics: This work is made of semi-green and semi-white jade, using skillful carving techniques to cut and grind it into a cabbage with green stems and white leaves and two insects parked on the leaves. It was originally part of the "Gemstone bonsai" displayed in the Yonghe Palace. Concubine Jin of Emperor Guangxu in the late Qing Dynasty once lived here, so it is speculated that the jade cabbage may be her dowry. The cabbage with green leaves and white stems means innocence; it symbolizes purity of character, and the insects on the tip of the leaf means prolific; blessing the descendants. Natural color, artificial form, and symbolic idea are harmonious and complete, thus becoming the most profound and shared aesthetic experience for all.
https://live.staticflickr.com/65535/51938713132_5482831e0d_o.jpg
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**Western Zhou Dynasty Mao Gongding**
Relic Dynasties: Late Western Zhou Dynasty
Artifact size: height 53.8 cm, belly depth 27.2 cm, diameter 47 cm, weight 34.700 kg
Artifact form: Bronze
Description of cultural relics: The mouth is decorated with a heavy ring pattern, open mouth, double erect ears, and three hoofed feet. The content of the inscription can be divided into seven sections, which is to say: When King Xuan of Zhou came to the throne, he was eager to revitalize the government, so he asked his uncle Mao Gong to govern the internal and external affairs of the country, and he was diligent and selfless. Therefore, Duke Mao cast a tripod to show his descendants Yongbao.
https://live.staticflickr.com/65535/51939702921_bce4baefc0_o.jpg
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