"Saury" Issue 31 "The World of Ghibli・The World of Ghibli"
When I was a child, the first video tape was "Porco Rosso". I didn’t understand the plot at all, but I was interested in the fact that the hero was a "pig." Go to kindergarten well. After going to kindergarten, in the small classroom of the big class, watching the teacher's "Tomb of Fireflies" and crying, hugging my mother every night and crying: "Where is the nearest bomb shelter at home?" After going to elementary school, Seeing the heroine Taeko in "Little Bits of Childhood" eating pineapples with a bitter face, she felt so hard and tasteless. At that moment, I was so angry that I loved to eat pineapples. In everyone’s life, there should have been a scene of "Ghibli", sometimes pointing directly at people’s hearts, sometimes touching people’s hearts, most of them will be a memory of one’s own childhood. There is no principle, but they can follow In the animation clip, I think of myself in my 10s, as if my hometown is still there, my parents are still young, and I will go to elementary school tomorrow.
Hayao Miyazaki once said, "People yearn for their own world, and animation just created such a world." After we grew up, we began to understand the messages of Ghibli, such as anti-war, environmental protection, children, women's issues, etc. But I also hope to return to the original point and see how Hayao Miyazaki leads an animator to discuss "whether birds can see the wind", calculate the walking speed of mice and elephants for scripting, or make viewers feel different through music The feeling of "one second" in species, age, and even in the universe. This is Hayao Miyazaki's continuous observation in life, magnified perception more than us, seeing and hearing the appearance of all things in the world, so that the world can truly plunge into fantasy but real animation. This journey of creation and viewing may be the real magic in the world.
With "My Neighbor Totoro" being released on stage for the "first time" 30 years later, and the 20th anniversary of "The Hidden Girl" won the Oscar for the best animated feature, we will take "The World of Ghibli·The World of Ghibli" as the theme , Starting with Studio Ghibli’s President Koji Hoshino and "Shinky Girl" animation color manager Endo Kohei, and invited Japanese art director Hidefumi Hanaya, the main singer of the theme song "Kui Yaohime" Kazumi Nikaido, and a first-class architect Watanabe Yoshitaka discusses the importance of Ghibli in the hearts of Japanese people from the perspectives of movie scenes, music and animation architecture; moreover, from the actor and writer Lian Yuhan, philosopher Zhu Jiaan, cartoonist Ruan Guangmin, and animation producer Wang Weixiu Creative professional, talk about the inspiration brought by Ghibli.
"Most people who will embark on the path of the animation world are those who love dreaming more than ordinary people; in addition to dreaming themselves, they also hope to convey their dreams to others. Gradually, making others happy has become an irreplaceable pleasure. ." Just like Hayao Miyazaki's confession in the book "Starting Point", no matter what age we have, we all have the right to dream; whether we love dreaming or not, we can find ourselves in a world of fantasy.
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- No.22,199 - เครื่องเขียน | No.1,746 - หนังสือซีน
- ความนิยม
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- The quarterly magazine "Saury" is Taiwan’s first book written in Chinese. The content is a collection of life, art, design, history, technology... and other topics of Japanese culture. Each issue focuses on a theme, from simple to in-depth, through interviews He invites writers from Taiwan and Japan to bring together different perspectives to satisfy tourists who want to travel to Japan and office workers who appreciate Japanese art.
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