→Work introduction Wood burning is one of the oldest ceramic ware firing methods. It mainly uses wood as fuel. It takes four days of firing to reach the target temperature. The unique coat of the work is the so-called falling ash. The artistic value of wood burning needless to say. The unique ashes of wood burning make it impossible for two identical works in the world. Uniqueness is the most admired place for wood burning, so the creation of wood burning can best reflect the author's character. It can also highlight the artistic vision of the collector. Wood burning can be roughly divided into unglazed burning and glazed burning. Unglazed is the direct firing of adobe without glaze, showing the most rustic texture of wood burning; glazed burning is based on the natural ashes of wood burning. Adding the effect of different glazes, the fired works are ever-changing. In addition to the artistic value of wood burning, because of the attachment of natural carbon during firing, whether the wood-burning utensils are used to boil water or drink tea, it can make the tea more sweet and refreshing. Attributes, so that the firewood has not only the ornamental value, but also the practical attributes. Therefore, good wood-fired works should not only be beautiful, but also easy to use. Teacher Ye has carefully adjusted each work with years of experience, so that each work can be easily and durable. →Work Specifications Iron Glaze Falling Ash Wood-fired Teapot Capacity 200cc 8.5x13.5x8 (length width height cm) →Purchase Precautions ＊Most of the products in this design hall are purely handmade, and the glaze or ash fall of each work is different, which is also the charm of pottery products, so a single work will not be replenished after it is sold out, nor can it be found. To the exact same work, so if there is a favorite work that is bought by others, it is a pity that you can only choose other works in the Design Museum, please forgive me! Or contact the designer to see if there are more similar works. *The size is measured by hand, and the error may be within 0.5 cm ＊The works may have some traces in the production process, so the works are all handmade or semi-handmade, and there will be more or less traces of operations. *During the firing process, there may be some natural distribution of glaze and falling ash, which is completely normal. This is also emphasized by natural glaze. Ceramics are inherently natural. If you have any questions about the product, please send us a private message. ＊Because the product was shot in a studio, the light and environment have been adjusted, but no post-production method is used. Please refer to the actual product color, which cannot be regarded as a defect. →Introduction to the author 【Ye Minxiang】teacher Under the tutelage of Professor Wu Yutang ◎Experience 1979 Team leader of the kiln department of Sanxitang Ceramics Company 1986 Founder of Xiangyi Ceramics Club 1993 Consultant of Gantangxuan Arts and Crafts Co., Ltd. 1998 Xinzhu Ceramics Co., Ltd. Thailand factory glaze technical guidance 1998 Master of pottery at Yingge Industrial and Commercial Vocational School 2001 Consultant of Shandong Plant of Gantangxuan Arts and Crafts Co., Ltd. 2002 Vice President of Jiaxing Quanyou Craft Products Co., Ltd. 2003 Production Manager of Shanghai Qidong Huatai Ceramics Co., Ltd. 2005 The technical guidance of the glaze of the Malaysian specialty ceramics company ◎Exhibited works 1995 Professor Wu Yutang Teacher and Student Group Exhibition 2010 Taiwan Ceramics Museum Crystal Glaze Evaluation Exhibition (Product Name: Crystal Color Series Six-color Cup) 2011 Taiwan Ceramic Museum Ceramics New Product Evaluation Exhibition (Product Name: Tianqing Rupin) 2011 Taiwan Ceramics Museum Taiwan Ceramics Brand Classic Exhibition (Name: Crystal Color Series Six-color Cup) 2012 Taiwan Ceramics Museum Ceramic Art Gold Award (Name: Happiness) 2012 Taiwan Excellent Crafts Evaluation (Name: Happiness) 2012 Taiwan Living Craft Design Competition Food Culture Creative Product (Product Name: Yu Zhongyu) 2013 Taiwan Excellent Crafts Selected (Xiang Yi Ceramics) 2013 Taiwan Yingge Burning Brand Project-Special Tableware Evaluation Exhibition (Tianqing-Lucky Tea Set) 2013 Taiwan Yingge Burning Brand Project-Special Tableware Evaluation Exhibition (Tianmu Iron Spot Glazed Bowl) 2013 Taiwan Excellent Crafts Evaluation Certificate (Tea pattern thread incense plate) 2014 Taiwan Creative Life‧Ceramic New Product Evaluation Exhibition-(Curved Pot and Tea Set) 2014 Taiwan Yingge Burning Brand Project-Trademark Authorization Evaluation-(Tea pattern thread incense plate) 2014 Taiwan Yingge Burning Brand Project-Trademark Authorization Evaluation-(Complete Tea Set) 2014 Taiwan Yingge Burning Brand Plan-Trademark Authorization Evaluation-(Tea Covered Cup) 2014 Taiwan New Taipei City Top Ten High-quality Souvenirs Creative Life Group Award-(Happiness Tea Set) 2015 Taiwan Yingge Burning Brand Project-Trademark Authorization Evaluation-(Youya Pot) 2015 Taiwan Yingge Burning Brand Plan-Trademark Authorization Evaluation-(Tianmu Cup-3 Types of Golden Yellow, Red Gold and Green Gold) 2015 Taiwan Yingge Burning Brand Project-Trademark Authorization Evaluation-(Happiness Tea Set) 2016 Taiwan New Taipei City Top Ten High-quality Souvenirs Creative Life Group Award-(Lucky Tea Set) 2020 "2020 New Taipei City Featured Product Selection" was shortlisted in the Good Things for Life category with "Gaiwan Tea Vessel" →Design Pavilion Story Taiwan Yingge's local ceramic studio, design and production are absolutely rooted in Taiwan, providing beautiful and practical ceramic coffee utensils. A number of Taiwanese masters with decades of experience have integrated traditional pottery craftsmanship with coffee culture, making coffee and beauty a part of life. In addition, our pottery masters also have many years of experience in producing tea sets and hand-drawn utensils. The Natural Glaze Cultural and Creative Studio will also simultaneously sell exquisite tea sets and hand-made ceramic products.
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- Teacher Ye Minxiang's wood-burning pure handmade works, the natural falling ash gives a free and easy texture, and the simple iron glaze decoration makes the temperament of the utensils change endlessly.